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	<title>Sarah Line Letellier</title>
	<link>http://publishsarah.com</link>
	<description>I am currently seeking a literary agent.</description>
	<lastBuildDate>Wed, 02 Nov 2011 05:12:35 +0000</lastBuildDate>
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		<title>Claudine in Love: Toying with Titles</title>
		<description><![CDATA[I’ve been rethinking the title for my novel. It’s always been “Nights in Paris”, ever since I first started writing it a few years ago. I never considered another title, but now I’m drawn to “Claudine in Love”. I&#8217;m disconcerted: &#8230; <a href="http://publishsarah.com/claudine-in-love-toying-with-titles/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/claudine-in-love-toying-with-titles/</link>
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		<title>Pandora’s Box</title>
		<description><![CDATA[Pandora’s Box is a wonderful black-and-white film made in 1929, starring the incomparable Louise Brooks (and her famous bob). I’m sure Colette and Anaïs Nin both loved it, if they saw it. Pandora’s Box was one of the first films to &#8230; <a href="http://publishsarah.com/pandora%e2%80%99s-box/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/pandora%e2%80%99s-box/</link>
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		<title>Colette reading</title>
		<description><![CDATA[I adore this photograph of Colette reading. It&#8217;s a rare picture taken after she was married (it looks professionally taken, as if for a publicity shot) but before she cut her hair into the famous bob that she kept all &#8230; <a href="http://publishsarah.com/colette-reading/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/colette-reading/</link>
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		<title>Competition success!</title>
		<description><![CDATA[How wonderful it is to finally win a writing competition! Entering a writing competition is like buying a lottery ticket. You know the chances of winning are very small, and that if you saved all the money you spend on &#8230; <a href="http://publishsarah.com/competition-success-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/competition-success-2/</link>
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		<title>“Colette” — review of the film</title>
		<description><![CDATA[The 1985 two-part French film “Colette: Les apprentissages” and “Colette: l’âge de femme” (referred to as “Colette” for short) directed by Gérard Poitou-Weber, starring Clémentine Amouroux (wonderful name!) as the young Colette, the stunning and astoundingly Colette-like Macha Méril as &#8230; <a href="http://publishsarah.com/%e2%80%9ccolette%e2%80%9d-%e2%80%94-review-of-the-film/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/%e2%80%9ccolette%e2%80%9d-%e2%80%94-review-of-the-film/</link>
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		<title>“Becoming Colette” — review of the film</title>
		<description><![CDATA[The film “Becoming Colette” is about Colette’s life when she first married and went to Paris. The film stars Mathilda May as Colette, Klaus Maria Brandauer as Willy, and Virginia Madsen as Polaire, and was directed by Danny Huston in &#8230; <a href="http://publishsarah.com/%e2%80%9cbecoming-colette%e2%80%9d-%e2%80%94-review-of-the-film/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/%e2%80%9cbecoming-colette%e2%80%9d-%e2%80%94-review-of-the-film/</link>
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		<title>“Nights in Paris”: transgressing truth and gender</title>
		<description><![CDATA[When writing fiction based on fact, at some point you have to make a decision: are you going to stick stubbornly to the absolute truth, or are you going to allow yourself a few transgressions for the sake of the &#8230; <a href="http://publishsarah.com/%e2%80%9cnights-in-paris%e2%80%9d-transgressing-truth-and-gender/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/%e2%80%9cnights-in-paris%e2%80%9d-transgressing-truth-and-gender/</link>
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		<title>Nights in Paris: Vies érotiques imaginaires</title>
		<description><![CDATA[I’m toying with a sub-heading for my novel: “Nights in Paris: Vies érotiques imaginaires” (imaginary erotic lives). The novel is a fictional, imaginary recreation of the lives of the French writers Anaïs Nin and Colette, set in Paris, focusing on &#8230; <a href="http://publishsarah.com/nights-in-paris-vies-erotiques-imaginaires/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/nights-in-paris-vies-erotiques-imaginaires/</link>
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		<title>Review of Chéri — the novel</title>
		<description><![CDATA[In an earlier post (Review of Chéri — the film, posted on 3 October 2009), I reviewed the 2009 film “Chéri”, based on Colette’s novel of the same title. The film is sumptuous and lavish, with gorgeous costumes, jewellery and &#8230; <a href="http://publishsarah.com/review-of-cheri-%e2%80%94-the-novel/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/review-of-cheri-%e2%80%94-the-novel/</link>
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		<title>Colette’s cassoulet — Colette and French food</title>
		<description><![CDATA[Colette’s essence was one of greediness, and by that I don’t mean anything negative. Rather, I mean that she fully embraced life, and all of life’s pleasures. She spent most (if not all) of her life, from her engagement at &#8230; <a href="http://publishsarah.com/colette-and-french-food/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://publishsarah.com/colette-and-french-food/</link>
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